Armadilloes


“In the course of his geologic studies, Darwin came across many fossils of extinct mammals.  Among the most interesting to him were those of giant armadillos. Nowhere else in the world were surviving species of these strange armored mammals found. Was it only a coincidence that extinct armadillos were also found buried in these same South American plains? Here again Darwin encountered tangible evidence of change and history.”

from Biology, by Helena Curtis (Worth Publishers, Inc., 4th edition, pg. 882-883)

[Photo credit: Luiz Claudio Marigo/naturepl.com]

The giant armadillo is the largest existing armadillo species (it grows up to 1.5 meters in length (~ 5 feet), with a weight up to 25 kg (~ 60 lbs)), although the extinct glyptodont — which  evolved during the Miocene era in South America — was considerably larger (close to the size of a Volkswagen beetle). At one time, the giant armadillo was spread over most of the tropical forests and grasslands east of the Andes, from Venezuela to Argentina; currently, due to over-hunting and the loss of habitat to human development and agriculture, the species is at risk of extinction.

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I miss The Far Side, a surreal, single-panel cartoon series by the incomparable Gary Larson.

The cartoon pictured isn’t among his absolute best, but it has armadillos in it, which, for me, makes it a keeper. I must have cut it out of the paper years ago: I found it inside a book.

The Far Side was syndicated internationally in newspapers for fifteen years until Larson retired on January 1, 1995.

Scientists, in particular, appreciated the humor of The Far Side: the Strigiphilus garylarsoni (a louse found on owls), the Serratoterga larsoni (a butterfly found in the rain forests of Ecuador), and the Garylarsonus beetle were all named after the cartoon’s creator. Additionally, spikes on the tail of stegosaurus are informally referred to as the thagomizer, a term from a Far Side cartoon.

Addendum, 2012-03-11

Another Far Side comic — testing whether or not animals kiss — with an armadillo in it (albeit in the background):

This one has many of Gary Larson’s usual tropes:

An anthropomorphic animal (the cow slapping the Scientist in the background)

Scientists performing absurd experiments

Things in the background (on the chalkboard: 1. Armadillo: No response doesn’t want anyone; Squid couldn’t find lips (and some semi-illegible other words))

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armadillo_music_dbj

There was once an armadillo that loved music more than anything else. Every night, no matter how tired, the armadillo would trundle to the frog-pond to delight in the symphony of the frogs as they sang back and forth: their husky echoes serenaded the moon, and each other.

“Oh, I wish I could sing,” said the armadillo quietly, believing nobody could hear.

The armadillo crouched at the edge of the water and watched the frogs dance and swim. The armadillo listened, enraptured,  as the frogs chanted back and forth in magnificent, harmonic tones. The armadillo loved their songs, but didn’t understand the words, which was a lucky thing, because the frogs were laughing at the comical, awkward armadillo.

“You are preposterous,” sang the frogs. “Armadillos cannot sing.”

One day, a family of crickets moved in, beside the armadillo, and it was blessed once more with bountiful music; they chirred and sang as magnificently as the frogs!

“Oh dear,” sighed the armadillo, “I wish I could sing.”

“Don’t be absurd,” sang the crickets in their melodious, singsong tones. “Armadillos cannot sing.”

But the armadillo didn’t understand, so it crouched in rapt silence and reveled in the exquisite music of voices laughing.

Many weeks later a man strolled down the path by the frog-pond; he was carrying a cage filled with canaries. The birds chirped and twittered songs that were even more magnificent than those of the crickets and the frogs. The armadillo was stunned. It followed the man with the cage, totally absorbed by the canaries’ songs.

“My, oh my,” said the armadillo, “I wish I could sing.”

The canaries tittered: “Armadillos can’t sing,” they sang; “armadillos have never sung, and never will.” But the armadillo didn’t understand what they said.

The armadillo couldn’t keep pace with the man, and finally it dropped, exhausted, by the home of the Brujo, a great sorcerer. Suddenly understanding whose home he was at, the armadillo was determined to ask for the great man’s aid. With shaking temerity, the armadillo shuffled up to the Brujo, who was relaxing in a chair on the porch in front of his home.

The armadillo gazed up at the great man and — before letting fear obstruct its voice — said, “Eminent Brujo, it is my deepest desire to be able to sing like the frogs and the crickets; and, most especially, the canaries.”

The Brujo was amused: who had ever heard of a singing armadillo? But he could sense that the poor creature was in earnest. The Brujo bent down and glared into the armadillo’s eyes: “I could enable you to sing,” the sorcerer said. “But the price would exact a heavy toll; to be able to sing, it would mean you’d have to die.”

The armadillo’s eyes lit up, and it said, “You mean if I die, I will be able to sing?”

“Yes,” said the Brujo.

“Then I demand death immediately!” said the armadillo.

The Brujo discussed the matter with the armadillo for many hours, because the Brujo was hesitant to end the life of such a discerning being; however, the armadillo was adamant, so the Brujo took the animal’s life, made a harmonically numinous instrument from its shell, and gifted the instrument to the most talented musician he knew.

Whenever the musician played the instrument by the frog-pond, the frogs and crickets would exclaim: “Unbelievable: the armadillo has learned how to sing!”

And, occasionally, the musician would practice in the home of his friend, who owned canaries. And the canaries would  listen, and stare with astonished eyes, and say, “Be silent, listen closely: it is the armadillo; it has learned how to sing!”

And so it was.

The armadillo had learned to sing. And its voice was among the sweetest in the world; and, alike the foremost musicians in all the lands, the armadillo had sacrificed its life for its art.

The image below is from one of my daughter’s (Brynne’s) imagination (at least I hope it’s from her imagination…). She’s always been artistic, and is currently attending the Emily Carr University of Art and Design. Many of her works are dark in nature, but this one — The Pill Bug’s Hat — is whimsical, and reminds me of Brynne when she was younger: she would’ve  brought something like that home if she’d found it:

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Artist Billie Achilleo has created a series of animal sculptures for the launch of Louis Vuitton’s Mon Monogram line. I particularly like the Armadillo pictured below:

“The sun lay on the grass and warmed it, and in the shade under the grass the insects moved, ants and ant lions to set traps for them, grasshoppers to jump into the air and flick their yellow wings for a second, sow bugs like little armadillos, plodding restlessly on many tender feet.”

From The Grapes of Wrath (chapter 3, p. 11), by John Steinbeck

Photo found at: East Side Patch

They’re not a shoe that I’d ever wear, but they look seriously awesome.
You can find them on the MINK Shoes Site
As per the website:
Armadillo is a steel colored faux leather T-strap with a titanium spike heel. Each shoe is extremely unique and is offered in a very limited production.
MINK shoes are custom designed and hand crafted from only the finest quality non-animal products. Natural or scientifically engineered alternatives such as cork, denim, linen, faux fur, and other animal friendly substitutes are employed. Leather, suede, pelts, and skins are never used. MINK Shoes adheres to a strict policy of animal preservation, protection, and safeguarding in its designs. Each shoe is extremely unique and is offered in a very limited production.

The armadillo lives inside
A corrugated plated hide.
Below the border this useful creature
Of tidy kitchens is a feature,
For housewives use an armadillo
To scour their pots, instead of Brillo.

The Armadillo, by Ogden Nash

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Years ago I read a National Geographic article on Armadillos; ever since, I’ve had an interest in the critters, and I’d like to share a few facts regarding them…

The Three-banded Armadillo is the only species capable of forming its shell into a hard, protective ball

Nine-banded Armadillos give birth to four identical young

Armadillo females are able to delay implantation of a fertilized egg during times of stress (anecdotal evidence claims up to two years, but studies have only confirmed four months).

Armadillos are good swimmers: they can either dog-paddle on the surface, or walk across the bottom of stream and ponds — they can hold their breath up to six minutes. To cross large bodies of water, they inhale deeply into their intestines, thereby facilitating buoyancy.

Baby armadillos have soft shells, like human fingernails. They get harder as the animal grows, depositing bone under the skin to make a solid shell.

There are many species, some of which are:

  • Giant Armadillo (weighing up to 60 kg (130 lb.))
  • Three-banded Armadillo (capable of curling its head and feet and contorting its shell into a hard ball)
  • Pink Fairy Armadillo (pictured above)
  • Nine-banded Armadillo (the only species to have spread north of Mexico)
  • Large Hairy Armadillo (the most abundant species in Argentina)
  • Northern Naked-tailed Armadillo (one of only two species found outside South America)
  • Pichi (or Dwarf Armadillo)
  • The Six- banded Armadillo (or Yellow Armadillo)

“There exists a unity and bondedness among living things, and by being quiet and watchful each one of us can sense that belonging. The armadillo… …contributes to what geographers call the ‘personality of a region.’ Its presence adds to the sense of place, and as such it becomes a vital link in the chain that binds life and land — our common heritage.”

from The Amazing Armadillo: Geography of a Folk Critter (p.105), by Larry L. Smith & Robin W Doughty, University of  Texas Press.

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